When humanity is threatened only the super powered might of the Toronto Maple Leafs can be counted on to save the day. But can the Maple Leafs be counted on? Time will answer all questions. But not yet, not for a long while.
Mitch Marner walks alone because he wants to. His super power allows him to make as many copies of himself as he would like. Usually Mitch likes having a few more Mitches around just to shoot the breeze and share a few laughs with. Today is different, the last few days have been different. Ever since the Toronto Maple Leafs were handed another defeat by the dirty Boston Bruins the clock has been ticking for the young Leaf.
Everyone wants to know what choice Mitch will make, what direction he will go. Everyone thinks they know what is in Mitch’s heart but not even Mitch knows for sure. that is why he walks along the long, lonely, dusty road. Mitch is looking for a sign. What form that sign may take is beyond him. Is it a number? Is it a letter? Maybe the sign will be the way a bird flies across a particularly beautiful cloud. Mitch doesn’t know so he walks and he looks. That’s why Mitch is alone, so that he won’t get distracted and miss the sign. The solitude also gives Mitch chance to think about all the things he could have done better and how he’ll do them better if, and when, he gets the chance. Even super heroes get down on themselves sometimes, and Mitch has been feeling low, but he is done with that now. With each step forward Mitch walks further away from self pity and self doubt. With each step Mitch gets closer to seeing the sign, and Mitch is ready to get signed right in the face.
But he walks all day and nothing happens so as night falls Mitch walks to a small farm not far from the road. The roof of the barn collapsed so long ago that grass has grown over the wounds, but a well kept garden and a fenced in paddock or chicken coop show signs of recent care. The farmhouse is more of a shack, but light shines out from the single window so Mitch approaches and knocks on the door. The person who answers is so aged as to appear genderless.
“Hello?” The timid greeting creaks from a voice as withered as the faded paint of the homes sun bleached siding. “Go away.”
“I’m sorry for bothering you.” Mitch says. “I was hoping to find a place to sleep for the night. I don’t need much, maybe I could just curl up in a shed or the old barn or something.”
“Hmmm.” The farmer squints hard at Mitch. “You the one stealing my chickens? No, you’s just a runty little slinker, you didn’t steal no chickens. Tell you what, catch whoever’s been stealing my dear little chicks an’ I’ll let you sleep in the barn for as long as you need. Maybe even feed ya some, get a little gristle on them skinny bones.”
“Thanks.” Mitch says after only a tiny hesitation. “I’ll try to find out who is taking your chickens I guess.”
The door shuts quickly and Mitch hears the farmer cursing as they shuffle away. Slightly more amused than confused, Mitch splits into two more Mitches.
“Looks like we’re on guard duty.” Mitch says.
“I’ll hide up in that tree.” Mitch answers, pointing to an old elm tree.
“Great, I can probably get a good view from the other side of the house.” Mitch suggests.
“I guess that leaves me watching from up the hill.” Mitch says with a sigh.
The Mitches get into position as the daylight begins to fade. Stars pop out one by one and the noises of the evening settle into a rhythm that threatens to lull the erstwhile guardians to sleep. Minutes seem to stretch out into endless moments, each frozen and irrefutable, teasing the senses until its impossible to discern the past from the present. Mitch yawns from where he watches, laying down on the crest of the hill by the road. A sudden movement from the coop grabs his attention. A shadow seems to bulge out from the door of the supposedly looked coop, not trying to get in but sneaking out.
Mitch can see his copies watching as well while the hen looks about the farm yard. Slowly the chicken slips from the coop. It reaches the barbed wire fence and again stops to look around the yard. After a few moments the chicken reaches out a wing and lifts up the barbed wire with no apparent concern for the sharp metal piercing her soft plump flesh.
The hen ducks under the wire and slides free of the only life she has ever known. Mitch watches as the entirety of possibility seems to settle onto the determined hens shoulders. She pauses again on the outside of the coop and seems to steel herself for whatever intent has driven her to flee. She starts walking straight toward the hill where Mitch is hidden. For a moment he thinks the bird is headed directly for him, then he realizes her determined beak is set for a point just beyond, she is heading for the road.
The Mitch in the tree and the Mitch behind the house both follow from a distance, careful not to make a sound. The Mitches converge on the top of the hill and revert to a singularity. Alone again, Mitch watches and waits. The hen marches resolutely to the unpaved road and stops. She looks up and down the road and seeing nothing but the night dark she waits. Again time threatens to play tricks on the young hero’s mind but this time his fascination with the drama unfolding keeps his attention focused.
Some time after the night passes on from it’s deepest darkness into the beginnings of a gray dawn the unmistakable flash of headlights appears from a ways up the road. The hen notices immediately and her gaze is locked on the onrushing vehicle. From his vantage point on the hill Mitch can feel the tension in the chicken’s body begin to mount. The car or truck or whatever gets closer and Mitch can tell that it is driving a bit to fast to be safe on the back country dirt road. The sound of the engine along with something else reaches Mitch and he can tell now that it is a truck and it has it’s radio on loud.
When the truck is less than fifteen meters away the hen steps out into the road. Mitch jumps up and runs but before a shout can even leave his throat the chicken is roadkill. Mitch spends the rest of the night letting his tears flow and pondering the meaning of the clear sign he was a witness to. Simultaneous with the precise crack of dawn Mitch decides that the sign was not the one he was looking for, although he did bear the burden of delivering the message. So a little after sunrise, once smoke started puffing from the chimney of the farm house, Mitch knocks on the door.
“So?” The old farmer asks.
“You need to stop keeping chickens.” Mitch says, turning before he can see the reaction to his words.
The hero walks away, over the hills and along the road without turning. If he had he would have seen the farmer collapsed in the doorway bawling tears of raw emotion.